Rich explains that on the original mix of “Grindin All My Life,” the only master bus effect was the UAD Precision Maximizer. The latter comes in handy for reducing levels that are too hot when you boost the Input. The Mix control lets you dial in parallel effects by blending the wet and dry signals. The Shape knob governs how much saturation you add to the signal. The Input knob controls the amount of the Maximizer effect.
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Rich’s setting on the UAD Precision Maximizer, which he uses on the Nipsey Hustle master bus for the “Grindin All My Life” mix. It offers two operating modes: 1-Band, which processes the entire mix the same way and 3-band, which has three bands with fixed crossovers at 200Hz and 2.45kHz.
Using fabfilter saturn on vocals full#
It’s designed to make full mixes or individual tracks sound louder, warmer and more present. This plug-in combines saturation and a limiter that you can separately control. When the excerpt moves to the Nipsey Hustle segment, Rich selects the UAD Precision Maximizer to create harmonic saturation.
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As Rich intended, it adds presence and a little more sonic intensity. When he plays some of the track and compares it without and with the Saturn’s processing, the difference is quite audible. He’ll usually turn up the Drive control on this band, but because this mix is already on the verge of saturation, he decides not to. He moves to the mid-band, which he boosts by about 3.5dB. He leaves the Drive control-which governs saturation amount-down, however. He also increases the highest of the four Tone sliders in that band. Rich starts by pushing the high-band master slider (for which he set a 1000Hz crossover point) up by almost 4dB. example.Įach band has a master level control and four Tone sliders. The upper-mid-band controls of Rich’s master bus setting for FabFilter Saturn in the Nicky G. He uses Saturn to create subtle harmonic distortion that will add a little brightness and energy to the mix. Crossover into Saturationīut in this situation, Rich is keeping it relatively simple. You can select from one of 16 distortion varieties for each band, including tube, tape, guitar amp, and even one called “Destroy.” You can even apply an array of modulators. You can create up to six frequency bands, each with its own set of controls, and set the crossover points wherever you want. Saturn has an in-depth feature set for a saturation plug-in. This segment focuses on his use of Saturn.
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In this case, he uses three plug-ins on the master bus, the UAD Shadow Hills Mastering Compressor FabFilter Saturn, which is a multiband saturation plug-in and the FabFilter L-2 limiter. Ring Around the Planetįirst up in the excerpt, we find Rich demonstrating his mixing techniques on a song called “Hero” by Nicky G. That point is made clear in our latest excerpt, which comes from two videos, “Rich Keller - Mixing Hip Hop Vocals,” and “Rich Keller Deconstructing Nipsey Hustle, ‘Grindin’ All My Life’.” You’ll see Rich treat the master bus with harmonic saturation, a type of processing he’ll sometimes use instead of compression. When you use a processing plug-in on the master bus or in a mastering session, your settings are particularly critical because you’re affecting the entire mix, not just one track.